$0.00 0

YOUR CART
Checkout

SUBTOTAL
DISCOUNT
VAT
TOTAL
Checkout
Banner
The bass music scene continues to explode and this helpful FM8 electro bass tutorial will...

FM8 Tutorials

Making More Flexible and Responsive FM8 Electro Bass Synths

The bass music scene continues to explode and this helpful FM8 electro bass tutorial will provide some tips to help you deliver focused and driven synths that are guaranteed to cut through the mix!

As with just about any kind of sound, there are ways in which you can manage them that will help them both sit in the mix properly and cut through the rest of the sounds in your project. When it comes to designing FM8 electro bass sounds, I suggest focusing on a few key things to help keep your synths strong, full of character and impact. I generally lean towards making these types of synths a bit more flexible than most and I always make efforts to help ensure a highly responsive instrument in the end. I may not always use the synth across multiple octaves, or approach the arrangement with the idea of using the same synth for multiple uses. But it is very nice to be able to use the same synth a few different ways in various projects. Especially is these projects are somehow tied together, as it helps to create a more consistent feel and sense of character throughout.

Starting with the Expert Ops window and the FM Matrix, you can see in the image below that the routing for this FM8 electro bass patch is fairly simple. The results, however, are actually beautifully complex without needing too much programming knowledge to pull off. The sawtooth waveforms are perfect for the modern electro influenced genres of music, like dubstep, complextro, glitch-hop, etc and they are enhanced by the modulation coming from the PWM Ramp Mod waves. Add to this a nice crunchy shimmer that the Formant waveforms bring to the party, and you have a nice foundation to work with.

Making More Flexible and Responsive FM8 Electro Bass Synths Tutorial by OhmLab 1

Pro Tip: Keep your pitch setting clean and you can avoid uncontrolled phasing, which helps keep your FM8 electro bass synths centered.

Pro Tip: Adjusting each operator’s velocity setting for desired range and influence will help in the overall delivery and emotional impact of your synth during performances.

Notice that although the Filter (Operator Z) is largely responsible for the modulation heard in this synth, it is actually Operator X that is routed to the main output strip.

Making More Flexible and Responsive FM8 Electro Bass Synths Tutorial by OhmLab 2

Pro Tip: You can fine-tune the effect the envelope curve has on the filter by adjusting the Env Amt knob.

The total number of Unison Voices is increased to a total of two to allow us to spread the sound out just a bit, making it deeper and wider. FM8 electro bass synths usually benefit from some detuning, but be careful not to add too much because it can create too much phasing and move your bass off-center.

Making More Flexible and Responsive FM8 Electro Bass Synths Tutorial by OhmLab 3

Just a touch of modulation from some LFOs bring the right kind of slow rhythmic movement people have come to expect from this style of synth.

Making More Flexible and Responsive FM8 Electro Bass Synths Tutorial by OhmLab 7

Compared to the rest of the operator envelopes, the filter is definitely doing the bulk of the modulation work. But we still have some effects to add before we can call this FM8 electro bass finished.

Making More Flexible and Responsive FM8 Electro Bass Synths Tutorial by OhmLab 4

Pro Tip: Extend the release parameter of an operator’s envelope to avoid unwanted clicking when a sound is triggered.

Pro Tip: Creating variations in the attack parameter of the modulator and carrier envelopes can help provide a more natural sounding delivery in a sound like this.

There are total of seven effects units used on this FM8 electro bass patch, but some of them are incredibly subtle. The reason behind some of the gentle programming here is to help extend the overall range this synth can be used. Sometimes all it takes is a little of something to make a sound more stable at higher or lower octaves. An Overdrive and Tube Amp are used to add drive and presence to the sound, while the EQ units finish the overall shaping of the sound. The Reverb and Chorus/Delay units are used to thicken the sound and extend it a bit to allow for proper development. Lastly, a Talk Wah unit is added for subtle character tweaking via a mod wheel.

Making More Flexible and Responsive FM8 Electro Bass Synths Tutorial by OhmLab 5
Making More Flexible and Responsive FM8 Electro Bass Synths Tutorial by OhmLab 6

Below is a small sample of this FM8 electro bass synth in action. No processing of any kind has been applied outside of FM8. You will notice that the synth is just as stable at both higher and lower octaves. It always pays off to be proactive in your programming!

RELATED COURSES

Functional Sound Design - FM Synthesis

ADSR Courses

Add to cart

Advanced Sound Design Techniques

ADSR Courses

Add to cart

Dubstep Bass Design In FM8

ADSR Courses

Add to cart

FM8 Expert Panel Explained

ADSR Courses

Add to cart
Waveform Loaded
Waveform Played
×
PLAYLIST
Clear all
WISHLISTS
Create an account to use wishlists
×
SAVE TUTORIALS
Create an account to save tutorials
×
FOLLOW YOUR FAVORITES
Follow your favourite labels, formats and genre's and ADSR will show what's new in those on your next visit.
×
  • Create product wishlist
  • Save your favorite tutorials
  • Regular discounts and exclusives
  • Never miss a sound! Follow your favorite labels.
Sign up to My ADSR to ensure you're ahead of the pack. Save your favorite content and be notified of new content. You'll never miss a thing!
Create your account now!
CREATE ACCOUNT
Sign up to My ADSR to ensure you're ahead of the pack. Save your favorite content and be notified of new content. You'll never miss a thing!
  • Get days all ADSR courses free
  • Create product wishlist
  • Save your favorite tutorials
  • Regular discounts and exclusives
Create your account now!
SIGN IN
adsrsounds.com login Video streaming login
Remember me
Forgot your password?
DON'T HAVE AN ADSR ACCOUNT?
Create your account
FORGOT PASSWORD

Send info
  1. Enter your email address
  2. Click "Send info"
  3. Check your inbox for an activation link
  4. Visit activation link and enter set new password
Sign in
DON'T HAVE AN ADSR ACCOUNT?
Create your account
IMPORTANT: Is this product compatible with your system? Please check the product system requirements tab before purchasing. To proceed with this purchase you must check the box to confirm you have checked the requirements.


I have read the system requirements and agree to the return policy. I understand that refunds will not be given due to limitation of my software or operating system.

I don't agree
, you have loyalty credit available. To redeem click the button to claim !
Claim
Claim your free sounds

For every $5 you spend on ADSR receive 1 free credit for Sample Manager.

Even better, we have back-dated this so any purchases you made since 2017 have also been credited to your account!

Click the button below to claim your free credit.

Get my free credits
Loyalty credits
1Every purchase you make on ADSR* now earns you 1 loyalty credit for every $5 spent
2Once you make a purchase your credits are added to your account
3Credits can be redeemed in ADSR Sample Manager to download individual loops and samples
4To redeem simply download ADSR Sample Manager and/or log into Sample Manager with your ADSR login details
5Credits will have been automatically added to your account
6Loyalty credits expire 30 days after initial purchase
* Not including video subscriptions