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5
deBleed
debleed
deBleed
23.99
deBleed

deBleed

By:

THR

Noise Gate and Audio Analyzer

A Noise Gate Designed to Obliterate Cymbal Bleed. Cymbal bleed can be extremely problematic, especially once you start adding more processing such as compression, which raises the noise level, essentially pushing the cymbals forward even more. deBleed solves this issue immediately, and comes fit with an audio analyzer to help measure thresholds with ease.

$23.99ADDED
was
Save | Sale ends May 28th
AAX , AU , VST3
Mac Windows
deBleed
Noise Gate for Cymbals

Say Goodbye to Cymbal Bleed – deBleed is no traditional noise gate!

It has been designed from the ground up to remove cymbal bleed effectively while still letting the Kick, Snare, and Toms ring through without affecting their tone. It achieves this by processing the Cymbal Frequencies independently from the rest of the kit, cutting out the unwanted bleed without touching the important parts of the signal.

Let deBleed do the work for you

With its built-in audio analyzer, deBleed can set the “threshold” and “debleed” values automatically for you, making the process even faster!

Remove Bleed while Keeping the tone of the Snare Intact

The “Hold” parameter keeps the gate open for longer before allowing the debleed parameter to kick in, which is extremely useful for preserving the tone of the Snare while still removing any unnecessary bleed. Just set the “Debleed” to a high value and increase the “Hold” time to roughly 100ms. This results in the Snare being allowed to ring through longer, keeping its tone intact, while the cymbals are still getting cut out.

Let Ghost notes Through

deBleed comes with the handy “Ghost” functionality, which can be used to quickly let deBleed react to quieter snare hits, otherwise known as ghost notes, letting them through in the mix. This is a very handy parameter for quick automation, instead of having to set the threshold manually every time ghost notes need to come through.

Why use deBleed?

Cymbal bleed can be extremely problematic, especially once you start adding more processing such as compression, which raises the noise level, essentially pushing the cymbals forward even more. Other methods of removing cymbal bleed rely on the use of high cut filters, but this dramatically affects the tone of the snare and even the kick & toms because they remove a lot of those higher frequencies which are an integral part of those parts of the kit (especially the snare).

deBleed employs a completely different approach and only relies on filters when pushed to the extreme to keep the drums 100% natural. Lastly, you don’t even need to spend more than 10 seconds to get the ideal results, it really is that simple!

Windows: 7 and up as 64-bit VST3, and 64-bit AAX.

Mac OS: 10.15 Catalina and higher as 64-bit VST3, AU, and AAX, Intel, and Native M1/2.

Supported & Fully Tested DAWs:

  • Logic Pro X 10.3 and later
  • Pro Tools* 11 and later
  • Ableton Live 10 and later
  • GarageBand 10.1.1 and later
  • PreSonus Studio One 5 and later
  • FL Studio 20 and later
  • Cubase 12 and later
  • Reason 12.5 and later
  • Cakewalk by Bandlab
  • Mixcraft 9 and later
  • REAPER

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