An instrument with a more electro-acoustic character than the usual synthesizer, thanks to the use of a network of filters to excite the resonators. The sound is then injected into a spring reverberation tank.

SERAPHIM’s distinctive synthesis is backed up by radical choices to promote the experience of expressive, nuanced playing. To make the most of SERAPHIM’s typical sound engine, the instrument can be played lightly, favoring fine, airy tones, or, on the contrary, it can be played more forcefully, allowing for sharp, massive nuances.

Either way, SERAPHIM has a strong, recognizable identity, making it the ideal companion for creating basses, leads and drones.

Using 4 oscillators with continuously variable wavetables, SERAPHIM is capable of producing metallic tones as well as surprising woody sounds. Each oscillator has a PWM function with its own dedicated LFO, a tuning control ranging from -3 to +3 octaves, panning and gain control down to slight saturation.

SERAPHIM is based on a number of concepts that are uncommon in the world of regular sound synthesis, but which are highly prized by users of modern modular synthesizers. SERAPHIM is also different in its commercial approach, offering an unusual instrument at a friendly price. What’s more, when you buy SERAPHIM for Kontakt (full version), you’re making a financial contribution to the development of the hardware version. It’s a win-win situation.