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MicroPitch
1247-57
MicroPitch
$
49.00
MicroPitch

MicroPitch

By:

Eventide

Fine Resolution Pitch-Shifter

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

$49.00ADDED
was $99.00
Save $50 | Sale ends October 18th
AAX , AU , VST
Mac Windows
MicroPitch
Fine Resolution Pitch-Shifter

Dual Voice Pitch-Shifter + Special FX

MicroPitch is a fine-resolution pitch shifter for subtle tone fattening, plus delays for dramatic slap back effects. MicroPitch is the latest incarnation of an iconic effect originated by Eventide in the 1970s. With each generation, Eventide has added refined, enhanced and built-on it’s legendary predecessors.

MicroPitch can take you beyond the run-of-mill stereo spread effects of simple micropitch plugins. It goes above and beyond by allowing you to mix in detuned and delayed versions of your source, creating depth and dimensions not possible before. With its expanded controls you can achieve deep pitch dives, haunting echoes, and pristine chorusing effects.

And, like all H9 series plug-ins, MicroPitch is designed to ‘play’. The RIBBON lets you sweep the effect between two completely different settings. Turn your sweetening shift into a delay-throw and back, or change your delays from dark to bright for transitional effects. Use the Ribbon to add a bit of ‘life’ while you’re mixing. For desktop users, plug in a MIDI keyboard and gain control of the Ribbon via the mod wheel for tactile control of this intuitive performance macro.

Play it Live

The plug-in has been enhanced for experimentation and live performance and fine-tuned for your desktop, laptop or iPad. It also promises much more tweak-ability than simple pitch shifting plugins. Tone, Modulation, and Feedback controls provide territory for ear-catching production techniques. Unleash the full range of MicroPitch’s parameters and you can discover rich repeating delays, thick modulations, and tempo-synced special effects.

MicroPitch’s Proud Legacy

Eventide originated the micropitch effect by accident in the early 1970s with the introduction of the world’s first digital audio effects box, the H910 Harmonizer®. The design of the H910 predates large (and medium) scale integrated circuits, including analogue-to-digital converters, sample rate standards and digital signal processing algorithms. The H910’s system clock was not crystal-based but instead used an LC (inductor/capacitor) oscillator circuit which proved to be just a tad unstable. As a result, the pitch ratio would wiggle about. Early owners of the H910, especially studios that could afford two, discovered that setting the pitch ratio on one H910 to ‘flicker’ between 0.99 and 1.00, while adjusting another to flicker 1.00 and 1.01, resulted in a rich spread stereo effect. 

Eventide’s second Harmonizer, the H949, introduced in the mid-1970s, ‘fixed’ the randomness of the H910 by incorporating a rock-steady crystal oscillator. The H949 provided a number of new features made possible by digital audio – reverse effects, de-glitching and “u PC” -thereby formally introducing this new effect into the pro audio lexicon. The H949 was also an early digital audio device, 100% DSP/CPU-free, predominately analogue, and, to achieve small, precise, deviations of pitch it employed using a radio technique called Single Side Band modulation. 

With the introduction of the DSP-based Eventide H3000 Harmonizer®, an enhanced version of the MicroPitch effect was developed and the effect became a ‘go-to’ tool for audio pros and artists worldwide. Today’s MicroPitch continues the long tradition of offering ever-expanding capabilities to this fundamental effect.

MAIN FEATURES

  • Two voices of pitch shifting, one from unison to -50 cents, the other from unison to +50 cents, each with up to 2 seconds of delay.
  • Classic stereo-spreading effect.
  • Slapback effects using longer delay times.
  • TONE for fine-tuning the voices to fit perfectly in your mix.
  • PITCH MIX for layering the two voices by setting the balance between each shifted delay.
  • MOD DEPTH and RATE for a chorusing effect on each voice.
  • FEEDBACK for pitch dive/rise effects.
  • Intuitive UI for ease of use.
  • Tempo for synchronized and unique delay effects.
  • Presets based on iconic uses of the MicroPitch effect.
  • RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice.
  • MIXLOCK keeps MIX control constant as you audition presets.
  • Available for Mac and PC as VST, AAX, and AU plug-in.

PC

  • Windows 8 and later (32 / 64bit)
  • AAX, VST2, VST3 (32 / 64-bit)

Mac

  • macOS 10.9 and later (64-bit only) (macOS 11 Big Sur only supported on Intel-based Mac systems)
  • AAX, AU, VST2, VST3 (64-bit)

Notes:

  • Eventide tests their desktop plugins in Ableton Live, Cubase, FL Studio, Logic Pro, Pro Tools, and Studio One (However, our plugins should work with any compatible host.)
  • New 32-bit macOS installers are no longer being made for this product.
  • No iLok dongle is required to run this software – only a FREE iLok account/Manager is required for authorisation.
  • macOS 11 Big Sur is only supported on Intel-based Mac systems.

Important – To use Eventide plugins on an M1 Mac, you may need to launch your DAW under Rosetta (right-click the application icon, select “Get Info” and then select “Open using Rosetta”). Note that many DAWs do not yet support macOS Big Sur, so it is important to check your DAW’s website for compatibility info before updating.

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