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Low End Masterclass - Low-End Mixing for Dance Music Producers Presented by Echo Sound Works,...
4.7 stars, based on 57 reviews Low End Masterclass - Low End Mixing Tips for Electronic Music Producers
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Low End Masterclass - Low End Mixing Tips for Electronic Music Producers

Low End Masterclass – Low-End Mixing for Dance Music Producers

Presented by Echo Sound Works, Low End Masterclass – Low-End Mixing for Dance Music Producers covers all things low end. As producers, we all get excited about laying down the perfect kick with a killer bass but excitement turns to defeat when they sound completely flat together not to mention how they absolutely destroy the general quality of your track.
Whether you’re working on a heart-stopping big room banger, an uplifting festival anthem or a more nuanced tech-house track, one thing is for sure, we all have to conquer the labyrinth of low-end mixing.
From acoustic treatment, to mixing tips and tricks – this course is designed to show you how to manage your low end to make sure each and every sound in your track supports, rather than competes with each other.

Discover how to make individual sounds pop and most importantly when and how to compromise to add a sense of space and cohesion like a pro!

How to mix a perfectly balanced low-end – Learn to drive a dancefloor with compelling bass frequencies

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Get Consistent Pro Quality Sound Out Of Every Mix.

No matter what sub genre of dance music you’re producing, without a solid bass your track will drive like a performance vehicle without an engine getting you noticed for all the wrong reasons.
To efficiently tackle this difficult topic, we are going to break up the limited low-end space into three distinct zones and discuss how each one is important to the collective low end in any mix.

ZONE 1 – Power/Rumble 25-50 Hertz – This is the sub bass frequency zone. One of the hardest frequency spectrums to get right.

ZONE 2 – Punch – 50-115 Hertz – This is the range that adds the “punch” to the low end. This is for basses and kicks.

ZONE 3 – Smack – 120 – 500 Hertz – This is the high end of the low end equation. Things like basses, snares, guitars, synths etc. can all live in this range.

Using plenty of practical tips and auditory examples, the techniques shown in this course will help shape the way you approach mixing and help you get the results you’re chasing!

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9 Parts To a Better Mix

This Low-End Masterclass includes over 1.5 hours of expert tuition broken down into 9 invaluable video tutorials. By the end of the course you will have a better understanding of all the elements required to create a balanced low-end along with practical techniques for achieving a more professional and consistent mix.

  • PART 1 – Introduction – A look at the course and how it’s formatted.
  • PART 2 – Acoustic Treatment – This video discusses the first step at getting a great low end mix, your room and listening environment.
  • PART 3 – Understanding Low End – This video introduces the 3 Zones that we will be looking at throughout the tutorial course.
  • PART 4 – Zone 1 – This video introduces the concepts and frequencies around Zone 1 of the low end.
  • PART 5 – Zone 2 – Zone 2 is the Punch part of the low end. Adding a bit to this frequency range can help add punch.
  • PART 6 – Zone 3 – The Smack zone is there to add the high end to the low end. This can be helpful on kicks, basses and other low range mid instruments.
  • PART 7 – Low End Arrangement – A big component to getting a good low end mix is having a proper arrangement. If your baseline is too busy then it will ultimately conflict with the kick.
  • PART 8 – Layering Low End Sounds – A big component to a getting a big low end part of the mix is layering sounds together. Whether that’s basses or kicks. However, you need to do it correctly and keep in mind the 3 zones when doing so.
  • PART 9 – Mixing Tips and Tricks – This video looks at a host of mixing tips and tricks focused around the low end zones.

About Your Tutor

Echo Sound Works is a sound designer and music producer and one of ADSR’s lead tutors for massivesynth.com and sylenthtutorials.com

He is the creator of the best selling sound sets Massive Beast V.1, Melbourne Anthems, EDM Drops V.1 and Future EDM V.1.

He has produced music in multiple genres including EDM, singer songwriter and pop ands had his music placed everywhere from VH1 and MTV to ABC Family and Lionsgate.

Professional instruction from a working producer. It’s like having your own private tutor!

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