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In this video Echo Sound Works will cover the main updated features to the native plugins in...

In this video Echo Sound Works will cover the main updated features to the native plugins in Logic Pro X.

For a full list of logic pro 10.2.1 updates : https://support.apple.com/en-us/HT203718

These plug-ins have been updated with new Retina-ready interfaces:

Stereo Delay, Tape Delay, Sample Delay, Bitcrusher, Clip Distortion, Distortion, Phase Distortion, Adaptive Limiter, Limiter, Single Band EQ, AutoFilter, Levelmeter, Multimeter, Chorus, Ensemble, Flanger, Microphaser, Phaser, EnVerb, SilverVerb, Gain, Klopfgeist, Test Oscillator, Correlation Meter, Surround Level Meter, Surround Limiter, Binaural Post-Processing

These plug-ins include the following new features:

Delays : Stereo Delay

Stereo Link – Change parameters for both Left and Right channels at the same time while preserving any differences between values. The Command key acts as a temporary way to disengage the stereo link for making changes to individual Left and Right channels.

There are now separate filter settings for both Left and Right channels.

Dotted and Triplet notes have been added to the delay time menu.

Dragging the delay time knobs can be used to set the timing with “in-between” value deviation. Clicking on the note values around a knob snaps to times with deviation set to 0%.

Routing presets make it easy to set up common delay patterns like Ping Pong, Panning, Rotating and more.

Delays : Tape Delay

Tape Delay now includes Tape Head Mode and Spread control.

The Distortion Level has been renamed to Clip Threshold.

Dotted and Triplet notes have been added to the delay time menu.

Dragging the delay time knobs can be used to set the timing with “in-between” value deviation. Clicking on the note values around a knob snaps to times with deviation set to 0%.

Delays : Sample Delay

You can now switch the delay amount between milliseconds and samples.

Distortions : Bitcrusher

The Mix parameter is now on the main interface.

Distortions : Distortion

Level Compensation is now on the main interface

Distortions : Overdrive

Now includes Level compensation

Dynamics : Adaptive Limiter

Meter delay compensation

Optimal look ahead button

Dynamics : Limiter

Meter delay compensation

Choice of Legacy and Precision mode

Dynamics : Surround Limiter

Meter delay compensation

Choice of Legacy and Precision mode

Filters : AutoFilter

AutoFilter now includes Add Peak filter mode.

The Distortion Mode menu now includes Classic, Tube, and Scream

The Distortion Mode can be selected individually for input and output distortion.

There are now separate Distortion Mode menus for Pre and Post Filter.

The Distortion, LFO, Envelope, and Filter sections now each have an individual bypass button.

Metering : Correlation Meter

Meter delay compensation

Metering : Levelmeter

Meter delay compensation

Numerical readout for max RMS value

Vertical and horizontal UI versions

Adjustable “Target Level” where the yellow range starts

Metering : Surround Level Meter

Meter delay compensation

Adjustable “Target Level” for Center, LFE and other channels

Metering : Multimeter

Meter delay compensation

Numeric readout for max RMS value

New 63 band mode

Adjustable “Target Level” where the yellow range starts

Loudness meter

Discrete readouts for LU-I and LU-S

Modulation : Ensemble

On/off for LFO 1, LFO 2, and Random modulation sources

Modulation : Flanger

Sync for LFO

Modulation : Microphaser

Sync for LFO

Modulation : Phaser

Sync for LFO

Exponential sweep mode

Feedback filter on/off switch

Reverbs : SilverVerb

On/off switch for modulation

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