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Soundspear Complete Collection
soundspear-complete-collection
Soundspear Complete Collection
$
29.99
Soundspear Complete Collection

Soundspear Complete Collection

Soundspear Multi-Effect Plugin Collection

Soundspear have combined all of their plugins to bring you the cutting edge of music technology in one single bundle. The Soundspear Complete Collection is just $29.99! 7 Products for the price of 1!

$29.99ADDED was $157.69
AAX , AU , VST , VST3
Mac Windows
Soundspear Complete Collection
Soundspear Multi-Effect Plugin Collection

Soundspear have taken the ADSR customer’s by storm this year with their unique Capsule plugins. So they decided to just bundle them up and practically give them away.

Multi-effect plugin tools that are on the cutting-edge, and won’t break your wallet. Look no further, the deal of the year. 7 Plugins for just $29.99!!

Rumble

Techno Kick Rumble Generator

Kick sustains became a techno standard and are tedious to create: sidechained reverb, low-end imaging, compression, eq, distortion… Rumble crafts them faster and better.

Variform

Cutting-Edge Distortion Plugin

Can you name a distortion plugin which sounds versatile, powerful and unique at the same time? This is what Variform was built for. Three distortion algorithms are blended through multiple stages. Morph, Fuse and Smoothen out your sounds.

Myst

Thickness Enhancer

Very often, an instrument sounds great but feels empty when put in a mix. Myst is an easy way to add depth and thickness to a sound. Featuring a broad range of controls to help you tailor the sound you need.

Blowfish

Sparkling Trebles Effect Plugin

Are your leads missing that crisp and sparkling sound that top producers love? Blowfish was built to fulfill that goal. Designed to easily guide you to a very sparkling and shiny sound with that crisp garnish that you can hear in professional productions.

Luxor

Tape Spatializer Utility Plugin

Luxor is the key if you want an instrument to stand out and spread in the mix. We noticed however that Luxor performs incredibly well on trance music as it adds a layer of airiness. Luxor performs also great on rolling basses as it makes them standing out.

S1

Stereo Dynamics Mastering Rack

The S1 uses a VCA detection circuit on a selected frequency band to detect the signal peaks and boost the stereo spread accordingly. You can choose and blend between different imaging algorithms, from haas delay or classical mid-side equalization to the emulation of SRS transfer functions.

KTT

Kill The Top (KTT) multiband compressor

Kill The Top (KTT) is an improvement to the legendary OTT (Over The Top) compressor. By doubling the frequency bands and including a chained exciter, KTT is even more aggressive while providing more control.

As an added bonus. Buy the collection during Black Friday and receive KTT as an added BONUS!

__________________________________________

Rumble

Kick sustains became a techno standard and are tedious to create: sidechained reverb, low-end imaging, compression, eq, distortion… Rumble crafts them faster and better.

Rumble detects spurious frequencies in the low-end and chains several notch filters with specially crafted reverbs to treat them differently. These feedback reverbs can create rumbles ranging from very short to infinite.

The output is equalized, distorted and filtered again using a very steep band-pass filter.

All of those elements are customizable and allow to blend between a very rough and a very smooth rumble.

A broad range of controls are here to help you tailor the sound you need.

  • Dry Gain is the output volume of the original, untouched kick.
  • Wet Gain is the output volume of the rumble. You can choose either to blend the kick and the sustain directly in Rumble or to output only the sustain in order to post-process it, for instance with sidechain.
  • Rumble controls the length of the rumble sustain.
  • Filter controls the amount of output band-pass filtering. A higher setting will result in a cleaner rumble while a lower setting will produce a gritty rumble.
  • Drive controls the amount of distortion in the last processing stage. This distortion is only applied to the wet band-filtered signal, hence this knob will only be effective if the FILTER knob is not set to zero.

Variform

Variform Cutting-edge distortion

Can you name a distortion plugin which sounds versatile, powerful and unique at the same time? This is what Variform was built for.

Three distortion algorithms are blended through multiple stages:

  • MORPH: Sharp and slashing frequency-dependant waveshaper that generates odd harmonics;
  • FUSE: Slow and growling asymmetric distortion focused on both odd and even harmonics;
  • SMOOTH: Spectral shaper reducing the unwanted overtones of the wet signal.

A broad range of controls are here to help you tailor the sound you need.

  • Dry Wet allows you to blend the original signal with the one at the end of the processing chain, while Out Gain controls the output volume.
  • Morph controls the intensity a heavy distortion generating odd harmonics, which scales with the frequency of the signal: low frequency will generate less harmonics than high frequencies.
  • Fuse sets the amount of asymmetric distortion, generating both odd and even harmonics.
  • Smooth reduces the resonant overtones to soften the distorted signal.

Myst

Very often, an instrument sounds great but feels empty when put in a mix. Myst is an easy way to add depth and thickness to a sound.

The input signal is fed to a chain of slapback delays, colored around one frequency band. The resulting sound is expanded and distorted a little.

This processing chain adds a body to an instrument and adds character.

Myst really stand out when used with bass instruments by making them thicker, but can also be used with leads and pads to add a colored atmosphere.

A broad range of controls are here to help you tailor the sound you need.

  • Dry Wet allows you to blend the original signal with the one at the end of the processing chain, while Out Gain controls the output volume.
  • Depth controls the number of chained delay units.
  • Color sets the amount of post-process distortion and equalization.
  • Cutoff controls the frequency of the lowpass filter used to reduce the amount of delay in the high frequencies.

Blowfish

Windows PC ONLY. Not compatible with MAC OS.

Are your leads missing that crisp and sparkling sound that top producers love? Blowfish was built to fulfill that goal.

Blowfish slaps the input signal with a complex chain of distortions and adds a side-chained bright topping on the sound transients. What results is a very sparkling and shiny sound with that crisp garnish that you can hear in professional productions.

A broad range of controls are here to help you tailor the sound you need.

  • Dry Wet allows you to blend the original signal with the one at the end of the processing chain, while Out Gain controls the output volume.
  • Blow controls the gain of a sidechained bright noise over the transiants of the input signal.
  • Sparkles sets the drive for the first stages of the distortion algorithm.
  • Brightness controls the intensity for the last stage in the distortion chain which soften the heavily distorted harmonics.

Luxor

Luxor is the key if you want an instrument to stand out and spread in the mix.

It will scoop your high frequencies to the edge of the stereo field using a sidechained haas effect, while the mid-highs will be made bright with a in-house tape distortion algorithm. The resulting signals will be glued together using an adaptative broadband compression.

Luxor can be used from 10-20% to 80-100% wet, whether you want to unleash the power of a lead, or to gently highlight a pad.

A broad range of controls are here to help you tailor the sound you need:

  • Dry Wet allows you to blend the original signal with the one at the end of the processing chain, while Out Gain controls the output volume.
  • Width controls the intensity of the haas effect on the upper-end of the spectrum.
  • Character sets the amount of tape coloration and broadband compression.
  • Color changes slightly the cutoff frequency of the Linqwitz-Riley fitlers used to split the spectrum into different bands which will be processed with different parameters.

S1

The S1 uses a VCA detection circuit on a selected frequency band to detect the signal peaks and boost the stereo spread accordingly.

The image will be made wider during high-energy transients to prevent phase knockbacks.

You can choose and blend between different imaging algorithms, from haas delay or classical mid-side equalization to the emulation of SRS transfer functions.

The input signal is first fed to a detection circuit that reacts to the average loudness of the song, where:

  • Threshold controls the minimum peak detection,
  • Speed controls the intertia of the moving average from the detection circuit,
  • Low Pass allows to filter the input detection signal with a biquad low pass filter.

This detection circuit is used to dynamically adjust the stereo image of the sound:

  • High pass and Low Pass allow to reduce the stereo adjustments to a single frequency band,
  • Peak gain is the stereo gain that will be applied when the detection circuit hits his maximum value,
  • Circuit allows to choose and blend between different imaging algorithms: binaural delay (Haas), head-related transfer functions (SRS) and mid-side boost (M/S).

A post processing step allows to adjust the final render:

  • Makeup applies a negative makeup gain to compensate the induced stereo variance by reducing its average value,
  • Comp reuses the input detection circuit to apply a touch of VCA compression to the signal sides.

KTT

As an added bonus. Buy the collection during Black Friday and receive KTT as an added BONUS!

KTT is an improvement to the legendary OTT (Over The Top) compressor. By doubling the frequency bands and including a chained exciter, KTT is even more aggressive while providing more control. As a result, KTT provides a rich and punchy sound, with bright and sparkling trebles, punchy mediums, rolling bass and deep subs.

KTT is a 6-bands upwards/downwards compressor. Multiband compression divides the frequency spectrum into different bands to compress them individually. Upwards compression is boosting the low-intensity dynamics while downwards compression is reducing the high-intensity peaks.

Having more bands means having more control towards the audio spectrum while leaving the broadband headroom untouched. KTT also features a chained 12AX7 dual-triode exciter which helps to enrich the signal with harmonics synthesis on top of the compression.

Rumble

VST2, VST3, AU

MAC OS:

  • Compatible with all OS except NOT compatible with Apple Silicon
  • Refunds not provided for Apple Silicon related issues

PC:

  • Windows 10
  • VST3 Compatible
  • Windows 7, 8 VST3

Variform

This plugin is NOT compatible with Logic.

NOT Compatible with Pro Tools

VST2, VST3, AU

MAC OS:

  • Compatible with all OS except NOT compatible with Apple Silicon
  • Refunds not provided for Apple Silicon related issues

PC:

  • Windows 10
  • VST, VST3 Compatible
  • Windows 7, 8 VST, VST3 Untested

It is meant to be used as a plugin inside a digital audio workstation.

Myst

VST2, VST3, AU

MAC OS:

  • Compatible with all OS except NOT compatible with Apple Silicon
  • Refunds not provided for Apple Silicon related issues

PC:

  • Windows 10
  • VST, VST3 Compatible
  • Windows 7, 8 VST, VST3 Untested

It is meant to be used as a plugin inside a digital audio workstation.

Blowfish

Please note that macOS is not supported.

PC ONLY

  • Windows 10
  • VST, VST3 Compatible
  • Windows 7, 8 VST, VST3 Untested

The Blowfish plugin works on 64-bits computers equipped with Microsoft Windows exclusively. It is meant to be used as a plugin inside a digital audio workstation.

Luxor

This plugin is NOT compatible with Logic.

VST2, VST3, AU

MAC OS:

  • Compatible with all OS except NOT compatible with Apple Silicon
  • Refunds not provided for Apple Silicon related issues

PC:

  • Windows 10
  • VST, VST3 Compatible
  • Windows 7, 8 VST, VST3 Untested

It is meant to be used as a plugin inside a digital audio workstation.

S1

This plugin is NOT compatible with Logic.

NOT Compatible with Pro Tools

VST2, VST3, AU

MAC OS:

  • Compatible with all OS except NOT compatible with Apple Silicon
  • Refunds not provided for Apple Silicon related issues

PC:

  • Windows 10
  • VST, VST3 Compatible
  • Windows 7, 8 VST, VST3 Untested

It is meant to be used as a plugin inside a digital audio workstation.

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