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5 stars, based on 1 reviews All Plugins Bundle
all-plugins-bundle
All Plugins Bundle
522.00
All Plugins Bundle

All Plugins Bundle

(1 reviews)

8 Multi-Effect Plugins

BABY Audio has decided to offer you all of their multi-effects plugins in one, easy-to-use multi-effects exclusive. The All Plugins Bundle Includes: TAIP, Smooth Operator, Spaced Out, Super VHS, Comeback Kid, Parallel Aggressor, I Heart NY 2 and Crystalline. A $522 Value for just $139

All Plugins Bundle
8 Multi-Effect Plugins

All Plugins Bundle Includes: TAIP, Smooth Operator, Spaced Out, Super VHS, Comeback Kid, Parallel Aggressor, I Heart NY 2

A $522 Value for just $149!!

TAIP Tape Machine Emulation Tape recordings have a musical quality that digital mixes often lack. TAIP brings this quality into your DAW. It will add some authentic analog heat to your tracks, without the need to route any audio outside the box.

Smooth Operator Intelligent Signal Balancer Smooth Operator combines equalization, spectral compression and resonance suppression into a singular creative experience that’s instant and intuitive. Use it to perfect your tonal balance and add a touch of ‘hifi’.
Spaced Out Lush Wet-FX Generator Spaced Out is a lush wet-FX generator, built for sending your sounds and vocals into weightless, heavenly orbit. In total, more than 50 individual effects come together in a singular creative experience.
Comeback Kid Easy and Intuitive Delay Engine Hands-on delay effect with an analog flavor. Comeback Kid includes everything you’d expect from a new go-to delay — plus some unexpected extras.

Super VHS Lofi Multi-FX Meet a complex algorithm with eight simple knobs. We named it ‘Super’ for its powers and ‘VHS’ for its sound. Feel the lofi magic of the VHS-era — with six unique effects in one strange plugin.

I Heart NY 2 IHNY-2 – The Punchy Parallel Compressor. BABY Audio set out to make the hardest hitting compressor in the industry. The kind that makes your tracks slam and sing. To achieve that extra edge, IHNY-2 works in parallel. This allows you to compress more while retaining the dynamics of your dry track.

Parallel Aggressor Parallel Mixing Plugin Parallel Aggressor is powered by two parallel engines, a compressor and a saturator. This results in three audio tracks running in the plugin simultaneously: Dry, Spank and Spice. Users can set their desired balance between them with the faders in order to achieve the perfect mix quicker than ever.
Crystalline Crystalline is a state-of-the-art reverb plugin with a pristine and modern sound. Crystalline follows in the tradition of the classic algorithmic reverbs, but adds new features and higher fidelity thanks to modern computer power.

__________________________________________

TAIP

Warm Up Your Sound.

Tape recordings have a musical quality that digital mixes often lack. TAIP brings this quality into your DAW. It will add some authentic analog heat to your tracks, without the need to route any audio outside the box.

Tape plugins are not a new concept. However, our emulation method is. Instead of using traditional DSP, we’ve developed TAIP around an AI algorithm designed to decipher the invisible nuances of analog circuits.

The result is a truly faithful tape emulation that’s intuitive and creative in use – with some added features to accomodate a modern workflow. Use TAIP to bring a touch of warmth and glue to your tracks, or ‘drive it like you hate it’ as an alternative to your distortion plugins.

Highlights.

  • AI-powered algorithm, giving you the true warmth and behavior of analog tape
  • Flexible feature set, allowing you to create a custom ‘tape flavor’ for any need
  • Use TAIP to add musical saturation and glue to drums, instruments, vocals and beyond
  • Read more about our AI emulation approach further below

MAIN FEATURES

TAIP is our attempt at creating the ideal ‘Tape Machine’ for the DAW-era, combining an authentic vintage sound with a modern feature set. Its parameters will let you customize the right tape flavor for any need.

  • DRIVE: Traditionally, tape machines were designed to color the sound as little as possible. TAIP is not. You can use the DRIVE knob to add just as much color as you need – from a subtle touch of heat to heavy distortion.
  • MIX/TAPE FLANGING: MIX lets you run your tape in parallel. You can combine MIX and WEAR to get a classic ‘tape flanging’ effect. This is caused by the wow and flutter of WEAR running in parallel with the dry track.
  • MODEL: While SINGLE is a regular tape emulation, DUAL creates a series of two tape emulations chained together under the hood, each applying half of the DRIVE value. This will add slightly more weight to your signal.
  • LO-SHAPE / HI-SHAPE: These sliders let you saturate the low/high end more or less than the rest of the frequency spectrum. (Example: Warm up a drum buss without distorting the low frequencies).
  • GLUE: Tape machines are known to introduce a pleasing compression-like effect due to their low dynamic range. TAIP lets you add this effect – or even exaggerate it. Use GLUE for subtle cohesion or as an actual compressor.
  • NOISE: Lets you add tape noise to taste – or avoid it altogether.
  • WEAR: Combines wow, flutter and an altered frequency response curve to emulate a worn- out tape machine.
  • PRESENCE: Part of the tape warmth comes from an attenuated high-end. PRESENCE allows you to decide how much of that attenuation you want. It can bring back the brightness that is sometimes lost on tape.
  • INPUT: Choose between NORMAL or HOT (more distorted) input levels without affecting the output volume.
  • AUTO GAIN: Allows you to add more DRIVE while keeping a consistent plugin output level.

Smooth Operator

Introducing clarity on demand.

Smooth Operator combines equalization, spectral compression and resonance suppression into a singular creative experience that’s instant and intuitive. Use it to perfect your tonal balance and add a touch of ‘hifi’.

Our spectral detection algorithm adapts to your audio 44,100 times per second and automatically eliminates fatigued frequencies. This gives you full control to shape your signal and bring out more definition.

Highlights:

  • Brings out clarity and smoothness across instruments, vocals and mix busses.
  • Allows for creative tone shaping without artifacts or harsh resonances.
  • Intelligent algorithm that automatically detects and resolves fatigued frequencies.

What is Spectral Processing.

The easiest way to understand Spectral Processing is to think of it as manipulating the building blocks that make up a digital signal – rather than the actual signal.

Our algorithm uses Fast Fourier Transform – or FFT – to break the incoming audio into tiny particles, which are analyzed and processed separately, before being put back together as audio. This all happens in realtime and allows for a much more surgical approach to resonance detection and rebalancing than what would be possible with traditional audio effects.

While most spectral tools focus on audio restoration, we wanted Smooth Operator to be all about creative expression. The plugin is meant for shaping your tone.

Use it to compress, EQ and ‘purify’ in one simple process – and know that Smooth Operator has your back when it comes to automatically eliminating artifacts.

Smooth Operator comes loaded with 63 presets created by friends of BABY Audio – including:

  • Preston Reid (Ciara, Toni Braxton, Lil Uzi Vert)
  • David Nakaji (Post Malone, Aminé, Lil Eazzyy)
  • Rob Kleiner (David Guetta, Sia, Britney Spears, Giorgio Moroder)
  • Steven Holness (Adele, Jason Derulo, Paul Weller)
  • Neenah (Winne, Mr. Probz, Nana Fofie, Joe Budden)

Display options.

  • Switch between three color modes (Pink / Green / Blue)
  • Plugin window fully resizable

Spaced Out

A SPACE ECHO FOR THE 21ST CENTURY?

It is no secret that we at BABY Audio are obsessed with the quirks, sounds and simplicity of vintage analog gear. With every software product we make, we hope to offer a little bit of that same hands-on experience and instant gratification. Never by emulating the past — but by tapping into its spirit to invent something new.

With Spaced Out, we asked ourselves this: How would we design a “space echo” effect today, almost 50 years after the original, with the abundance of computer power and algorithmic complexity at our disposal? 

We set out to create an effect as fun, flavored and futuristic for the 21st century as the Space Echo was for its own time. It’s been an epic journey and we’re proud to have returned with our most complex plugin to date.

PRESETS

Spaced Out comes loaded with 125 presets created by BABY Audio and some friends of the house – including: 

  • Filip Nikolic (Turbotito, Poolside, Azealia Banks)
  • Tushar Apte (Nicki Minaj, Noah Cyrus, BTS)
  • Richie Beretta (Beyoncé, Diplo, Jillionaire)
  • John Nathaniel (One Republic, Switchfoot, Kygo)
  • Anthony Saffery (Portugal. The Man, Dirty Vegas, Cornershop).

FOR YOUR EYES ONLY

  • Choose between two color schemes (light / dark)
  • Plugin window fully resizable

Comeback Kid

A delay worth waiting for.

Of all the essential mix tools, the delay may be the most creatively gratifying. So we asked ourselves: Could we take this classic effect and give it an upgrade?

We set out to develop our vision for a more inspiring delay plugin. One that lets you design your own signature delay sounds through a versatile selection of flavoring tools.

Easily and intuitively. And with powerful results. Comeback Kid includes everything you’d expect from a new go-to delay — plus some unexpected extras.

MAIN FEATURES:

SETUP YOUR DELAY:

BPM-synced modes: Straight, dotted, triplet. Free mode: 0.01 ms – 2500 ms. Ping-Pong option.

ADD SOME CHARACTER:

  • Lo-Cut + Hi-Cut: Tame your delays with analog modeled filters.
  • Attack + Sustain: Sculpt your delays with flexible transient designers.
  • Cheap: Degrade you delays with a custom 11-bit signal path — modeled after vintage digital units.
  • Tape: Warm-up your delays with analog-style tape saturation.
  • Swirl: Add movement to your delays with an analog modeled phaser.
  • Sauce: Add space to your delays with a touch of algorithmic reverb.
  • Wider: Widen your delays through L/R time variations.
  • Richer: Add dimension to your delays through L/R pitch variations.
  • Pan: Place your delays in the stereo image.
  • Mono: Turn your delays into mono.
  • Ducker: Lower your delays when the dry signal is playing — for a cleaner, more modern sound.
  • Destiny: Leave your delays to destiny — for a less robotic, more human and unpredictable vibe.

Super VHS

LOFI VIBES FROM A STRANGE DECADE

As kids of the 80s, we have always been drawn to the sound of slightly out-of-tune synths, warm tape saturation, gritty samples and grainy reverbs.

So we set out on a mission to capture the lofi spirit of our favorite decade — and bring it into a new decade.

Meet a complex algorithm with eight simple knobs. We named it ‘Super’ for its powers and ‘VHS’ for its sound.

FEATURES

A chain of six meticulously crafted ‘one-knob’ effects:

  • STATIC — Static noise synthesizer
  • HEAT — ‘Analog tape’ saturator
  • SHAPE — Sample rate reducer
  • MAGIC — Dark chorus FX
  • DRIFT — Pitch fluctuation LFO
  • WASH — ‘Bad hall’ reverb

Also including  an Internal/hidden EQ, bit-crusher and limiter.

I Heart NY 2

IHNY-2

Punchy Parallel Compressor

Slaps So Good

We set out to make the hardest hitting compressor in the industry. The kind that makes your tracks slam and sing. To achieve that extra edge, IHNY-2 works in parallel. This allows you to compress more while retaining the dynamics of your dry track.

  • Engineered for a modern and ultra-aggressive compression sound, perfect for adding power to your tracks
  • Hosts parallel signal chain internally for a fast and obstacle-free parallel compression workflow
  • Majorly upgraded V2 of our first ever plugin (I Heart NY) – offering surgical control and a range of new features

LOADED WITH PRESETS:

IHNY-2 comes loaded with 156 presets created by BABY Audio and friends of the house – including:

  • Delbert Bowers (Lizzo, Taylor Swift, Bruno Mars, Shawn Mendes)
  • Matt Sim (Nicki Minaj, The Chainsmokers, Gucci Mane)
  • M-Phazes (Eminem, Madonna, Demi Lovato)
  • Preston “Prizzie” Reid (Kanye West, Alicia Keys, Muni Long)
  • Rob Kleiner (Cee Lo, SIA, David Guetta, Britney Spears)

Parallel Aggressor

Unlock Unparalleled Powers.

Parallel processing plays a fundamental part in getting a “big” mix sound. By processing multiple copies of the same track and blending them together, you can add more punch to a mix — in a more natural-sounding way.

It’s like teamwork: Multiple copies of the same track – each focused on doing one specific job – can achieve more together than a single copy being processed to death on its own.

Parallel Aggressor is based on this simple concept.

The plugin splits your audio into three equal parts:

  • Dry – Your original signal
  • Spank – A heavily compressed duplicate
  • Heat – A heavily saturated duplicate

Work the duplicates hard! Then combine all three signals to squeeze every drop of sonic juice out of your track.

Crystalline

CHASING ‘THE PERFECT ARTIFICIAL SPACE’

When we’re talking reverbs, there are two fundamental philosophies: One tries to mimic the sound of a real physical space – while the other seeks to create an artificial space from an algorithm, free from the constraints of the natural world. The idea of an algorithmic reverb was first conceived in the 1960s – and evolved over the following decades, redefining the sound of modern music with every new technology leap (and improved memory chip). All your favorite albums from the 1980s and after most likely relied on algorithmic/artificial reverbs to get a big and polished sound.

Crystalline follows in the tradition of the classic algorithmic reverbs, but adds new features and higher fidelity thanks to modern computer power. It is meant to sound unreal – in the most positive sense of the word. Its rooms and halls won’t sound anything like those in your house – but closer to those of your dreams!

MAKE SPACE FOR LUSHNESS

  • Crystalline is a state-of-the-art reverb plugin with a pristine and modern sound
  • Gives you unprecedented creative control to shape your reflections
  • Lets you sync reverb start and decay times to your song’s tempo
  • An evolution of classic 20th century studio reverbs – fully upgraded for today

A STUDIO REVERB FOR THE CURRENT ERA

A ‘perfect algorithmic reverb’ is often considered the holy grail of digital audio effects. In fact, the idea can be traced all the way back to research papers from the 1960s. Throughout the 20th century, algorithmic reverbs evolved thanks to companies like EMT and Lexicon. But scarce computing power generally forced manufacturers to work within limited constraints.

Fast forward, and we now have the resources to do things that couldn’t be done during the golden age of studio reverbs. Both in terms of sheer sound quality. But also in terms of adding creative features that weren’t possible in the hardware days.

Crystalline stands on the shoulders of 60 years of chasing ‘the holy grail of DSP’. We’ve asked ourselves what the pioneers of legendary digital reverbs would have done if they had the resources we have today. And then we’ve made exactly that plugin. With all the bells and whistles a modern engineer would need.

FEATURES

BPM-synced start and end times: Crystalline lets you hard-sync the reverb attack and decay time to your DAW’s tempo. This will generally result in cleaner mixes where the reflections are naturally in sync with the music. Prefer the classic way? Just hit the “Sync/MS” switch and Crystalline lets you set pre-delay and decay times in milliseconds instead.

Reflections Section:

  • “Size” lets you set the room size from tiny to large. This control is detached from the “Length” control, meaning you can get any size/length combination you want, including esoteric settings like huge spaces with very short tails or tiny spaces with very long tails.
  • “Sparkle” emphasizes high frequencies inside the reverb algorithm. This generates reflections that are naturally brighter, which will help you achieve that extra shine on vocals or snares.
  • “Width” lets you set the stereo image of the reverb from mono to wide – and even further to extra wide.

Depth Section:

  • “Resolution” sets the complexity of the algorithm from ‘basic’ to ‘pristine’. More complex settings will give you an ultra-clean reverb response, free of metallic artifacts. But this comes at a higher CPU load. The ‘Basic’ setting will give you an efficient CPU performance, without compromising the sound noticeably.
  • “Modulation” creates pitch variations inside the reverb algorithm. This results in a richer sound that works especially well to fatten up synths, guitars and vocals.
  • “Shimmer” makes the high frequencies of the reverb tail decay slower than the rest of the spectrum, giving the reflections an ‘angelic halo’ effect. You can set the frequency cutoff point as well as the multiplier effect, which controls how much longer it takes for the higher frequencies to decay. Please note that if Shimmer is active, the high frequencies will decay later than your specified reverb “End Time” (either at 2x, 4x or 6x the length).

Clean-Up Section:

  • “Damping” is a dual filter control that lets you remove high and low frequency content from the reverb reflections. This control offers a fast way to get rid of clutter and muddiness in your mixes.
  • “Sides” is a high-pass filter that removes stereo information from the low end of the reverb, while keeping the mono-information intact. This is especially helpful for creating wide vocal or lead instrument reflections without muddying-up your low end.
  • “Gate” lets you instantly recreate the classic 1980s gated reverb sound. The gate offers ‘threshold’ and ‘release’ controls and makes it fast and intuitive to make your snares go ‘Phil Collins’.

Shape Section:

  • “Tone” is a tilt EQ that lets you quickly shift the frequency balance of the reverb to brighter or darker.
  • “Smoothing” gradually applies an EQ-curve custom-designed to address the frequency areas that tend to get resonant and sharp. It mellows out any reverb harshness and gives Crystalline a more subtle feel. This allows you to add a little more reverb without drenching your mix.
  • “Transients” lets you shift the reverb algorithm’s emphasis to either the attack or sustain part of the incoming signal. Emphasizing the sustain more than the transients will make the reverb feel airy and light, while emphasizing the attack stage is a great way to get a splashy and dense sound. The Transients feature works especially well for controlling reflections on percussive material.

Output Section:

  • “Ducker” lowers the reverb signal when the dry/incoming track is playing. This gives you a cleaner mix, where you can turn up the reverb more without compromising the dry track. “Ducker Gentle” mode offers a slow and natural ducker setting, while the standard ducker mode has a more pumpy feel.
  • ”Reverse” reverses the reverb playback, giving you some radical sound design possibilities.
  • “Freeze” is another creative effect that takes a granular snapshot of the reverb when clicked and holds this snapshot continuously until the button is un-clicked again. It can be a powerful effect for creating interesting transitions in a mix.
  • “Dry/Wet” sets the global mix balance between the dry/incoming signal and the reverb signal. Clicking the “Wet Lock” button lets you browse presets while keeping your preferred wet/dry balance – for easier comparison.

Top Panel:

  • “Color” lets you change between light and dark background colors.
  • “Eco Mode” lets you run Crystalline in a low-CPU mode by setting the resolution to ‘basic’ and disabling the shimmer effect.
  • “Save As Default” lets you save your own default preset that will appear every time the plugin initializes or you hit the reset button. “Reset” resets the plugin’s state to your default preset. “Tool Tips” gives you help texts explaining each plugin parameter during mouse hover-over. Crystalline comes loaded with more than 150 presets from Baby Audio and friends of the house to get you started.
  • Plugin formats: VST, VST3, AU, AAX.
  • Compatible with MAC M1 Chip
  • Platforms supported: Mac OS 10.7 and up including Catalina and Big Sur. PC Windows 7 and up.
  • DAWs supported: Ableton Live, Pro Tools, Logic Pro, FL Studio, Cubase, Nuendo, Reaper, Reason + more.

* Please Note: Bundled products may differ from individual products when sold separately which may include bonuses not provided in this promotional offer. Please refer to the bundle product listing above for complete details of what is included in this offer.

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