We modeled five iconic fuzz and distortion pedals that defined the sound of rock from the late ’60s to the late ’70s.

Big Goat

Big Goat is an analog modeled simulation of one of the greatest fuzzbox ever made in the mid ‘70s, the Electro-Harmonix® Big Muff Pi™, and used in countless records. The signal goes through 4 cascaded amplifier stages, where 2 of them are clipping stages. The result is a sustained fuzz, very rich in harmonics, with a unique tone

Features:

• Independent Tone (Low and High), Distortion and Level controls
• Pre and Post effect gain
• Mix control
• Noise Gate
• Resizable interface

Blue Face

Blue Face is an analog modeled simulation of a classic BC108 silicon vintage *Dunlop® Fuzz Face™ pedal made in the late ‘60s. This is one of the best known fuzz pedals ever made, used to fully blast amplifier’s tube stages. We modified the original circuit to get more bite even at minimum settings.

Features:

• Independent Volume and Fuzz controls
• Pre and Post effect gain
• Mix control
• Noise Gate
• Resizable interface

Distortion 1

Distortion 1 is an analog modeled simulation of the iconic *BOSS® DS-1™, distortion stompbox introduced in the late ‘70s and behind the signature sound of many guitar legends. This is one of the most known (and modified) distortion pedals ever made.

Features:

• Independent Tone, Distortion and Level controls
• Pre and Post effect gain
• Mix control
• Noise Gate
• 8 different circuit types
• Resizable interface

Green Reaper

Green Reaper GR9 is a faithful analog modeled simulation of the *Ibanez® Tube Screamer™ TS9, an historical overdrive pedal of the 1982. The first incarnation of the Tube Screamer series, the TS-808, was first released in the 1979 and hand-wired by MAXON® engineers, who has been Ibanez’s production partners until 2002.

Features:

• Analog Modelled Overdrive
• Drive, Tone and Level controls
• Pre and Post effect gain
• Mix control
• Noise Gate
• 12 different circuit types
• “To Amp” output mode
• Resizable interface

Heavy Pedal

Heavy Pedal is a faithful analog modeled simulation of the *BOSS® HM-2™, the infamous Swedish Chainsaw distortion stompbox introduced in the mid 80s and that sculpted the guitar tone of many metal guitarists. This high gain pedal is definitely the dark side in the panorama of distortion pedals. We took our time to find a pristine conditions Japanese version of the pedal (ours is dated 1984) and we modeled it as close as possible.

Features:

• Independent Tone (Low and High), Distortion and Level controls
• Pre and Post effect gain
• Mix control
• Noise Gate
• 9 different circuit types
• Distortion bypass (right click on Dist knob)
• Resizable interface